I want to note that I feel I am standing on the shoulder of a giant as the previous author, Mark Sobell, has been incredibly helpful in the hand off of the book. Mark is retiring and leaving behind a great foundation for me.
Eleven Nobel Peace Prize laureates. The Dalai Lama. Pope Francis. These are just some of many who support an initiative to #HelpAfricanAlbinos. In many countries, people with albinism are discriminated against, harassed, and persecuted. There is too little understanding and too much false information.
Then She was Born is an attempt to spread awareness of the problem using a fictional account of a girl, Adimu, who is born in a village. We see her struggle for survival against powerful superstition and tradition. Using information taken from the accounts of many African albinos, the story is gripping, moving, and also a call to action. The book was originally written and published in Italian by Cristiano Gentili as Ombra Bianca and has been masterfully translated into English for the reviewed edition by Lori Hetherington. The story is engaging, with characters that are relatable and deep.
Prior to reading this book, I had heard passing mentions, but had no real knowledge of the issue. This is a work of fiction, but it is based on real events and there are real lives at stake. I will share this book with anyone among my friends who will read it and I recommend it highly to those who are not local to me.
Illustrators generally get paid to work on projects. This means taking someone else’s vision, story, or text and bringing it to life in pictures. Doing so requires special talent as the illustrator must listen to and absorb someone else’s ideas before creating their accompanying artwork. Mark Crilley is a talented and experienced illustrator who got the chance to find out what would happen if he pitched a book that contained illustrations that didn’t follow a specific theme, a book about illustrations without being a how-to book, a book about the art. We all benefit because Watson-Guptill Publications accepted that proposal.
The book is arranged in five sections, an organizational scheme that seems likely to have been imposed after most of the illustrations were created. The sections each contain a set of illustrations that fit a general theme, grouping together sketches and full-color illustrations of characters, Japan, science fiction, conceptual art, and styleplay. Each illustration includes interesting comments from Crilley describing the art. These sometimes focus on the craft of creating the piece, sometimes on a thought or experience that influenced the image or sparked its creation. Occasionally there is a cool “Your Turn” tip connected to an illustration to help the reader think about ways to enhance their own creations.
This is a fun, interesting, enjoyable, and inspiring book that makes me want to walk away from my computer and pick up some art supplies.
I enjoy graphic adaptations of classic novels and short stories. Admittedly, sometimes they work and sometimes they don’t. This is an instance of the adaptation working, very well.
Shirley Jackson’s “The Lottery”: The authorized Graphic Adaptation is a lovely and perfectly horrifying adaptation of the 1948 short story. The book was scripted and illustrated by Jackson’s grandson, Miles Hyman. Hyman does an excellent job of staying true to the original feel of the story with haunting, deep images that evoke genuine emotion. The words on each page are sparse, letting the artwork communicate much of the story. This is a wonderful use of a different medium to project the same message and creepiness of the original and required true translation skills. Hyman succeeds. There is a rhythm here that is controlled and which builds from mysterious to worrisome to absolutely horrifying. Fantastically done! If you enjoy the genre, this is worth your time.
I’ve seen this coming and I agree with it in principle. From a practical standpoint, it won’t affect me greatly as my review queue is down to only one book and I’ve not been requesting nor receiving books to review for a while.
I will continue to review stuff I buy, both here and on Amazon, when I find something really exciting. I may still review free books on this blog, and as always, if I am reviewing a book that I received for free, I will put this note at the end of the review: Disclosure: I was given my copy of this book by the publisher as a review copy.
UPDATE October 18, 2017: I have learned that my understanding of Amazon’s policy was stricter than what Amazon intended. The Community Guidelines state it more clearly in the Promotions and Commercial Solicitations section: “Book authors and publishers may continue to provide free or discounted copies of their books to readers, as long as the author or publisher does not require a review in exchange or attempt to influence the review.” So, I again feel free to post reviews on Amazon for materials I received for free, provided I am not required to do so and the provider has not acted in a way that attempts to influence the review.
I was privileged to again lead the team that updated The Official Ubuntu Book for this ninth edition. The book continues to serve as a quality introduction for newcomers to Ubuntu, both the software and the community that surrounds it.
Starting today, I’m very excited to be working as a technical writer for Canonical. It is a thrill to be able to earn money while learning and writing about something that I am already passionate about: Ubuntu.
Some readers of my blog may not know this: Canonical is the company that provides support and resources to help the open source community make Ubuntu and promote its use across a multitude of devices and use cases.
I don’t think I have mentioned my YouTube channel on this blog. It is time. I recorded a couple covers of Blind Willie Johnson songs this week as my most recent contributions. In this video, I mention a really cool collection of covers that I supported on Kickstarter a few years back that was released just recently. Check it out with this song, the links I provide from it, and please know you are invited to also check out any of the songs I have recorded. (I also take requests from time to time, although there is a queue and it takes me time to learn songs I don’t already know…)